Puzzle Knives Out – Deadline

Beggars believe that what started as a dormant idea—to continue the adventures of Detective Benoit Blanc, “The World’s Greatest Detective”—not only produced an inescapable placeholder for the franchise, but also led to one of the most exciting, funny, and entertaining films of the year. Brilliantly represented, it boasts one of the year’s most brilliant screenplays, not only in terms of great dialogue, laugh-out-loud and satirical stuff in popular culture but in the meticulous, meta-planning of traditional scenarios that keep the mind from start to finish. Unusually lately Netflix Introducing, barely a minute is wasted, and it’s no surprise that the Christmas release is planned for a clever, bull-eye-pleasing audience with every beat.

Toronto Film Festival: Complete Coverage of Deadline

Director ryan johnson It was completely open to the original text Take out the knives‘s The effects, and the direct premise of this sequel — a group of friends are summoned to a remote Greek island by an old acquaintance — suggests the revival of the 1973 ocean-related crime thriller. Last Sheilathe brainchild of screenwriters Stephen Sondheim and Anthony Perkins, and the brainchild of improbable and somewhat psychedelic screenwriters. glass onion, however, is merely arousing that signal; After he sets sail, he pretty much becomes a monster of his own, setting up a frenetic pace of motion that never subsides. This is the Aliens subordinate Take out the knives The Universe, an exponential iteration of a great concept now knows its main character from the inside out and thinks big when it comes to finding a well-deserved brain challenge.

Kate Hudson as Byrdie, Leslie Odom Jr. as Lionel, Catherine Hahn as Claire, Edward Norton as Miles, Jessica Henwick as Peg, Madeleine Klein as Whiskey and Dave Bautista as The Duke.

(LR) Kate Hudson as Birdie, Leslie Odom Jr. as Lionel, Katherine Hahn as Claire, Edward Norton as Miles, Jessica Henwick as Peg, Madeleine Klein as Whiskey and Dave Bautista as Duke

Here, the host is Miles Bron (Edward Norton), the billionaire owner of Alpha Corporation, and the friends who gather to sail to his island are a disparate group. There’s Claire DeBella (Catherine Hahn), a politician standing as an independent candidate after losing her Democratic following; Lionel Toussaint (Leslie Odom Jr.), famous scientist; Birdie Jay (Kate Hudson), a former model who has her own clothing line; and Duke (Dave Bautista), a YouTuber for men’s rights, who arrives with his girlfriend Whiskey (Madeleine Klein). While waiting at the dock, everyone is surprised when famed detective Blanc (Daniel Craig) shows his masked face – the date is May 13, 2020, the height of the lockdown – but they are even more shocked to see Andy Brown (Janelle Monae), a former business partner with nothing but bad blood on him. After a bitter court case.

Toronto Film Festival 2022 Photo Gallery

After sending out sophisticated puzzle boxes (designed by an intern from Ricky Jay, apparently), Bron greets his guests as they arrive at the beach. Banksy sculptures in the sand await them, and Bronn softly plays Blackbeard on the guitar he claims McCartney wrote on it (note: please watch the movie before writing to comment on this). Every 60 minutes we hear “The Dong by the Hour,” written specifically for Brune by Philip Glass, and just about everything about his silly lair is marketed and commodified: “This antique shit is weird,” as one personal comment.

Bronn gathers these seemingly random people into this weekend mystery murder game that you’ll watch them investigate for him killing. But given that all the guests have good reason to see him dead (all of them, as Andy reveals, are addicted to “Bronnen’s golden tits”), will the game be played out in real life? The guessing game starts now, and the next twists and turns happen glass onion It’s nearly impossible to revise without spoilers, constantly recalibrating – for example, Johnson incorporates a nod to Hitchcock vertigo With incredibly satisfying effect – but crucially it doesn’t stray too far from its audience.

Catherine Hahn as Claire, Madeleine Klein as Whiskey, Edward Norton as Miles, Leslie Odom Jr. as Lionel, and Kate Hudson as Birdie.

(LR) Katherine Hahn as Claire, Madeleine Klein as Whiskey, Edward Norton as Miles, Leslie Odom Jr. as Lionel, Kate Hudson as Birdie
John Wilson / Netflix

The key to this is the sense of humor that allows Blanc to flourish in a way he once did Take out the knives It wasn’t allowed: Now that the character is established, Craig is having an indecent amount of fun with him, pushing Southern caricature to the limit and then blasting him during the first 40 minutes on an amazing piece of the wrong foot. After his command, all the characters are allowed to send themselves – not least the blank Birdie, the former cover star of the face And the Twitterer is so reckless that her assistant has to hide her phone. Duke, with his short, holstered trunks, is a brilliant, gritty piece of self-mockery, and a professional Norton — where exactly has this gorgeous actor been lately? Just icing on the cake.

This leaves two lead characters: Craig, now free of Bond, has finally nailed the comedy, revealing previously untapped depths (a scene in which Blanc hides a dead man behind and between the buttocks of a bronze statue is a small masterpiece of silent comedy). But the Ana de Armas award for the second iteration of Take out the knives You go to the great Monáe that offers one of the best and most intuitively perfect shows of 2022. The explosive ending can be a bit chaotic, glass onion Not the only one in this, join Palme d’Or winner Robin Ostlund sadness triangle As a contagious delightful story that deflects the complacency and literal stupidity of a world that has gone truly insane.

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